The brilliant Sarah Kendall is back with another season of Frayed. It was a joy again to work with the team.

I am super proud of the look cinematographer Earle Dresner ACS and I cooked up for The Newsreader. We studied old film stocks of the 80’s to come up with, what I think is, an original look quite unlike anything on Australian TV. The show is also AMAZING! Michael Lucas, Jo Werner, Emma Freeman and the rest of the team nailed it.

I had a pleasure working with director Aaron Wilson and cinematographer Stefan Duscio ACS to finish their feature, Little Tornadoes. It will premiere as part of MIFF. Unfortunately another opportunity missed to screen in person due to covid. This one really sings on the big screen.

In true 2020 style, colourists from all over the world will be catching up online at 'the Colorist mixer'. There are some amazing discussions and giveaways planned. Excited to be on the women in film panel with superstars Junbin Chen ('Robotropolis', 'A Second Coming') and Andrea Chlebak ('Elysium', 'Watchmen') with moderator Sarah Priestnall ('Rambo', 'O Brother Where Art Thou') Sunday, 4pm AEDT.

I’ll be joining Deidre McClelland CSI, Fergus Hally CSI and Warwick Field ACS to discuss the relationship between cinematographers and colourists. The event is open to anyone who is interested.

Super flattered to be featured by the CSI (Colorist Society International). Check out the article to hear about my experience on Relic and Escape from Pretoria.

Another feature film I graded recently, High Ground, (an Australian western directed by Stephen Johnson and shot by Andrew Commis ACS), will have it’s premiere at Berlin Film Festival.